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Canon K35 Prime Lenses. Canon K35 lenses are quite possibly the best-kept secret in 35mm motion picture prime lenses. Not to be confused with Canon stills lenses, these were specifically made for cinema and were awarded an Academy Award in 1977. Canon K35s were the lenses used on Aliens as well as many other famous features films over the years ... Among the collection is a set of Canon K35 prime lenses. These vintage lenses are great for a wide range of productions from commercials, fashion shoots, branded content and music videos, given their unique flares and halation characteristics. Providing sharp images and a nice contrast, the lenses are incredibly fast and robust. Canon K35's are cinema lenses first developed in the 1970's. They have become extremely popular lately with the help of new modern lens housings from companies like True Lens Services. They are unique in that that the 24mm, 35mm, 55mm and 85mm cover Full Frame sensors, which made them one of the only vintage, high speed, full frame lens options available. 20, 25, 35, 50, 75, 100, 152mm (Van Diemen rehoused) Canon Century Optics 14mm T2.8 . 35mm Primes
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canon k-35 18mm pl t1.5 tls rehoused canon k-35 24mm pl t1.6 tls rehoused canon k-35 35mm pl t1.4 tls rehoused canon k-35 55mm pl t1.4 tls rehoused canon k-35 85mm pl t1.4 tls rehoused innerspace lens case f/canon k-35 pl mt see more similar pro digital cinema lens rentals: ...Beautifully rehoused by TLS (True Lens Service), these Canon K35 set of lenses for sale vintage primes are one of the most sought-after lens sets on the market. The Canon K35 set of lenses for sale were made in the 70's and 80's as Canon's response to the Zeiss Super Speeds.
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Canon K35 TLS Lomo superspeed Cooke S3/S2 TLS Super baltars COOKE zoom 18-100mm COOKE zoom 25-250mm shift and tilt lens Zeiss 2,1 primes Canon telephoto lens Preston FIZ + 3 motors wireless Chrosziel FOX wireless focus LMB 15 clip-on, LMB6, mattebox 6x6, filters 4x5,65 PANASONIC GH5s 4:2:2 10bit, 4:3 anamorphic mode/PL mount LomO Round ...
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Lovely set of 8 vintage rehoused Cooke S2/3 Speed Panchro; a mix of series 1, 2 & 3. 18, 25, 28, 35, 40, 50, 75, 100mm lenses.
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Canon 50mm T/0.95 Traum Objektiv Rehoused Ein Lpl Halterung EXC + K35 Kowa. ... Leica R Lens Set 28 • 50 • 90 • 135 • 180 cine conversion Leitax EF Canon Mount. Canon K35's are cinema lenses first developed in the 1970's. They have become extremely popular lately with the help of new modern lens housings from companies like True Lens Services. They are unique in that that the 24mm, 35mm, 55mm and 85mm cover Full Frame sensors, which made them one of the only vintage, high speed, full frame lens options available.
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Canon's answer to the Zeiss Super Speeds, these cinema lenses won an Academy Award in 1977 and were used most notably on the film Aliens (1986).Fast and small, the glass elements exhibit less sharpness and contrast than most modern lenses, but more contrast and sharpness than the Kowa Cine Prominars.
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TLS Rehoused Canon FD 135mm F2. Condition is Brand New. Glass is clean and clear. Gears are flawless. Minty Fresh! Serial from 1981. This lens is part of my Canon K35 set and I am selling it outside from the rest of the set. The Canon K35 set (five lenses with the fast 18-24-35-55-85) is for sale separately. Any questions feel free to ask! 85mm Canon K35 T1.3 Canon K35 Lenses . 18mm Canon K35 T2.8 . Cam driven focus system and chassis style lens housing allow matte boxes and other accessories to be attached to the front of the lens, without affecting focus movements. ...
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Rehoused by TLS, the original glass of this set is comprised of vintage Leica R Summilux and Elmarit still lenses. Now in robust, cine-style bodies, these full frame lenses can cover the 36mm x 24mm full frame sensors in the Red 8K Monstro and Sony Venice. That design was a big reason Canon K-35s won an Academy Award in 1977 for innovation. Recently K35s were used to lens HER, AMERICAN HUSTLE and THE HANDMAID'S TALE. These lenses were rehoused by TLS (True Lens Services) in London. TLS lenses have become an industry standard due to their superb build quality and reliability. This release also introduces significant performance improvements with new Metal-enabled plugins for Red raw and Canon Cinema Raw Light. Transcoding 8K Red raw video to ProRes 422 is up to two times faster on Mac Pro and up to three times faster on MacBook Pro. And for the first time, Final Cut Pro editors can play and edit 8K Canon Cinema Raw ...
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1st AC Alexa MiniLF + Canon K35 DP: Patrick Eggert Dir: Zen Freese 1st AC Alexa Mini + Arri Ultra Primes DP: Sean Steigemeier Dir: Droptree Productions 1st AC Red Dragon + Fujinon 19-90mm Cabrio T2.9 DP: Evan Oliver TLS Rehoused Canon K35s The 18mm, 25mm, and 35mm Canon K35 lenses have a dual cam system to cover the floating element movement. The 50mm and 85mm were then also re-housed into cam-form metalwork whilst keeping the fixed rear element.
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Australian drama prep with the TLS rehoused Canon K35 lenses from our friends at VA ... and more on the way. All of this amazing old Canon glass was beautifully rehoused by True Lens Services ... TLS Rehoused Canon K35/FD; Cooke S4/I; Cooke S7/i Full Frame Plus; Cooke Speed Panchro TLS rehoused; Leitz Summicron-C; Zeiss Super Speeds; Zeiss Standard Speeds; Canon PL Telephotos & EFs; Leica 50mm Noctilux T1.0 CF3’6” Technovision Canon 135mm; Cameras; Camera Accessories; Anamorphic lenses; Zoom Lenses; Playback / DIT
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Canon K35 Zeiss Standard Speed (uncoated) TLS Rehoused Super Baltars TLS Rehoused Cooke Speed Panchros. This test was shot on the Arri Alexa Mini in 2.8K 4:3 mode and cropped to 2.39:1 aspect ratio. For each set of lenses I shot the 24mm / 25mm and the 50mm / 55mm. The combination of single coated optics, and new 16 blade circular iris make for incredibly smooth focus fall-off and natural, flattering skin tones. Masterfully rehoused for cinema with enhanced close focus right here in California by Zero Optic. Lens Specifications Patrick Otten: “Tout a été tourné sur boîtiers Arriflex avec des Canon K35-primes (2 sets), Schneiders (rehoused) pour certaines scènes et exceptionnellement, une caméra Flare, une mini-caméra avec un petit capteur et des objectifs C-mount, qu’Anthony a généralement sur son plateau et avec lesquels il fait des choses dingues.
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Canon CN-E Canon FD - Rehoused by GL Optics Canon K35 - Rehoused by TLS Cooke S7/i Canon Sumire Leica R - Rehoused by GL Optics Leitz THALIA Nikon AI-S - Rehoused by Zero Optik Richard Gale Optics UK CLAVIUS Rokinon Xeen Schneider Xenon SIGMA Cine FF Classic SIGMA FF High Speed Tokina Vista Tokina Vista One TRIBE7 BLACKWING7 binaries ZEISS CP.2